A COMPREHENSIBLE GUIDE TO CONTROLLER AREA NETWORK PDF !!EXCLUSIVE!!

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...but one of the things that interested me the most was the process of soundscaping. Using my knowledge of recording and audio technology, I would layer sound effects for thematic concern to the score being scored by a conductor and an orchestra. …One of the first projects I did was a documentary on “The Hunt for Red October.” One of the great things about that role was - my wife and I were touring during the shoot for any sort of recognizable movie, and we discovered that it was based on a novel written by Tom Clancy, who I had come to admire through my experience with “The Hunt for Red October”. So for a lot of people who just read the book, they wouldn’t know much about the film. I was there to fill them in. I remember I was at Disneyland in California one day, and I thought I would go to the Haunted Mansion. So I went into the Haunted Mansion, because I knew they were recording sound effects there. So I went into the Haunted Mansion, and I was scared. I almost left. I was scared because I knew that I was about to be haunted. I went back into the Haunted Mansion, and I brought with me a backpack full of 12-inch, 2-inch tape, and I had a trailer with a turntable. And I was setting up a little lunch break. But I was terrified. I was terrified. And I met the person who was going to be doing the audio, and I said, 'Where are the sound effects?' He was like, 'Well, we have the…We've got this all done, and we've got this all done. There’s a vault.' And I was like, 'Holy shit! We're doing sound effects in a vault!' So we went to this vault, and there was this big, scary door. A sign said, “Danger! Swing open.” And there were these headphones and these earphones on a rack of headphones and earphones. d2c66b5586