Archive - Controlling Crowds: A Masterpiece of Trip-Hop and Progressive Rock
If you are looking for a musical experience that will take you on a journey of emotions, sounds and styles, look no further than Archive's 2009 album Controlling Crowds. This album is a limited edition release that contains two CDs and features high-quality FLAC audio files. In this article, we will explore why this album is a must-have for any fan of trip-hop and progressive rock.
What is Archive?
Archive is a British musical collective that was formed in 1994 by Darius Keeler and Danny Griffiths. The group has gone through several line-up changes over the years, but has always maintained a core of talented musicians and vocalists. Archive's music is characterized by a fusion of genres, such as trip-hop, electronica, progressive rock, alternative rock and orchestral music. The group is known for their cinematic soundscapes, complex arrangements and lyrical themes that often deal with social and political issues.
Archive - Controlling Crowds (2009) [Limited Edition] [2CD] [FLAC]
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What is Controlling Crowds?
Controlling Crowds is Archive's seventh studio album, released in 2009. It is a concept album that consists of four parts, each with its own mood and style. The album explores the themes of control, manipulation, alienation and resistance in the modern society. The album features the vocals of Dave Pen, Pollard Berrier, Maria Q and Rosko John, as well as guest appearances by rapper Smiley and singer Mike Bird.
Part I
The first part of the album sets the tone with an ominous and dark atmosphere. The opening track \"Controlling Crowds\" introduces the main theme of the album with a haunting chorus: \"We're just trying to get some control / On this situation here / Which is spinning out of control\". The track is followed by \"Bullets\", a powerful trip-hop song that features a rap by Rosko John and a catchy hook by Dave Pen. The song criticizes the violence and corruption in the world: \"Bullets are the beauty of the blistering sky / Bullets are the beauty and I don't know why\". The next track \"Words on Signs\" is a slower and more melancholic song that features the vocals of Maria Q. The song reflects on the emptiness and meaninglessness of words in the media: \"Words on signs / They don't mean anything / They don't say anything\". The part ends with \"Dangervisit\", a 10-minute epic that combines progressive rock, electronica and orchestral music. The song builds up from a quiet piano intro to a climactic finale with soaring vocals by Pollard Berrier and Dave Pen. The song warns about the dangers of conformity and submission: \"Don't let them take control / Don't let them take your soul\".
Part II
The second part of the album shifts to a more upbeat and energetic mood. The first track \"Quiet Time\" is a short instrumental interlude that serves as a transition from the dark part I to the lighter part II. The track features a playful piano melody and some ambient noises. The next track \"Collapse/Collide\" is a catchy pop-rock song that features the vocals of Dave Pen and Maria Q. The song expresses the desire to escape from the chaos and pressure of life: \"I just want to run away / From all this madness here\". The track is followed by \"Clones\", a funky and groovy song that features a rap by Smiley and a chorus by Pollard Berrier. The song mocks the lack of originality and diversity in the music industry: \"Clones clones clones / They're everywhere you go / Clones clones clones / They're on your radio\". The next track \"Bastardised Ink\" is a more experimental and electronic song that features the vocals of Rosko John and Maria Q. The song criticizes the manipulation and distortion of information by the media: \"Bastardised ink / That's what you read / Bastardised ink / That's what you believe\". The part ends with \"Kings of Speed\", a fast-paced rock song that features the vocals of Dave Pen and Pollard Berrier. The song celebrates the thrill and freedom of speed: \"We are kings of speed / We are kings of speed / We are kings of speed\".
Part III
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