Jorg Widmann Fantasie For Clarinet Solo Pdf 31 ((NEW))

Jorg Widmann Fantasie For Clarinet Solo Pdf 31 >> https://geags.com/2sYfQN

Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Fünf Bruchstücke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music.

"'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte."

As a soloist, Widmann has performed with major orchestras in Germany and abroad, including the Vienna Philharmonic Orchestra and Munich Philharmonic Orchestra, under conductors like Valery Gergiev, Christoph von Dohnányi, Sylvain Cambreling and Kent Nagano. He has premiered several clarinet concerti dedicated to him: in 1999 through "musica viva", he played Music for Clarinet and Orchestra by Wolfgang Rihm;[1] in 2006 with the WDR Symphony Orchestra, Cantus by Aribert Reimann;[1] and in 2015 "über" by Mark Andre at the Donaueschingen Festival.[14] Widmann's core repertoire as clarinetist includes Pierre Boulez's Dialogue de l'ombre double, which he performed on Boulez's 85th birthday in Paris.[15][16][17] 2b1af7f3a8