The Social Network [BEST] Full Movie 1080p 121
The Social Network Full Movie 1080p 121 >>> https://ssurll.com/2tgvYR
The Social Network is a 2010 American biographical drama film directed by David Fincher and written by Aaron Sorkin, based on the 2009 book The Accidental Billionaires by Ben Mezrich. It portrays the founding of social networking website Facebook. It stars Jesse Eisenberg as the Facebook founder Mark Zuckerberg, with Andrew Garfield as Eduardo Saverin, Justin Timberlake as Sean Parker, Armie Hammer as Cameron and Tyler Winklevoss, and Max Minghella as Divya Narendra. Neither Zuckerberg nor any other Facebook staff were involved with the project, although Saverin was a consultant for Mezrich's book.
On October 28, 2003, 19-year-old Harvard University sophomore Mark Zuckerberg is dumped by his girlfriend, Erica Albright. Returning to his dorm, Zuckerberg writes an insulting post about Albright on his LiveJournal blog. He creates a campus website called Facemash by hacking into college databases to steal photos of female students, then allowing site visitors to rate their attractiveness. After traffic to the site crashes parts of Harvard's computer network, Zuckerberg is given six months of academic probation. However, Facemash's popularity attracts the attention of twins Cameron and Tyler Winklevoss and their business partner Divya Narendra. The trio invites Zuckerberg to work on Harvard Connection, a social network exclusive to Harvard students and aimed at dating. Zuckerberg approaches his friend Eduardo Saverin with an idea for the Facebook, a social networking website that would be exclusive to Ivy League students. Saverin provides $1,000 in seed funding, allowing Zuckerberg to build the website, which quickly becomes popular. When they learn of the Facebook, the Winklevoss twins and Narendra are incensed, believing that Zuckerberg stole their idea while misleading them by stalling development on the Harvard Connection website. They raise their complaint with Harvard President Larry Summers, who is dismissive and sees no value in disciplinary action on the Facebook or Zuckerberg.
Roger Ebert of the Chicago Sun-Times, giving it four stars and naming it the best film of the year, wrote: \"David Fincher's film has the rare quality of being not only as smart as its brilliant hero, but in the same way. It is cocksure, impatient, cold, exciting and instinctively perceptive.\" Peter Travers of Rolling Stone gave the film his first full four-star rating of the year and said: \"The Social Network is the movie of the year. But Fincher and Sorkin triumph by taking it further. Lacing their scathing wit with an aching sadness, they define the dark irony of the past decade.\" The Harvard Crimson review called it \"flawless\" and gave it five stars.
Joe Morgenstern in The Wall Street Journal praised the film as exhilarating but noted: \"The biographical part takes liberties with its subject. Aaron Sorkin based his screenplay on [...] The Accidental Billionaires, so everything that's seen isn't necessarily to be believed.\"Among the film's very few negative reviewers was Nathan Heller of Slate, who described it as \"rote and deeply mediocre\" as well as \"maddeningly generic\", and believed that, \"Sorkin and Fincher's 2003 Harvard is a citadel of old money, regatta blazers, and (if I am not misreading the implication here) a Jewish underclass striving beneath the heel of a WASP-centric, socially draconian culture... to get the university this wrong in this movie is no small matter.\"
Journalist Jeff Jarvis acknowledged the film was \"well-crafted\" but called it \"the anti-social movie\", objecting to Sorkin's decision to change various events and characters for dramatic effect, and dismissing it as \"the story that those who resist the change society is undergoing want to see\". Technology broadcaster Leo Laporte concurred, calling the film \"anti-geek and misogynistic\". Sorkin responded to these allegations by saying, \"I was writing about a very angry and deeply misogynistic group of people\".
Since its release, The Social Network has been cited as inspiring involvement in start-ups and social media. Bob Lefsetz has stated that: \"watching this movie makes you want to run from the theatre, grab your laptop and build your own empire,\" noting that The Social Network has helped fuel an emerging perception that \"techies have become the new rock stars.\" This has led Dave Knox to comment that: \"fifteen years from now we might just look back and realize this movie inspired our next great generation of entrepreneurs.\" After seeing the movie, Zuckerberg was quoted as saying he is \"interested to see what effect The Social Network has on entrepreneurship\", noting that he gets \"lots of messages from people who claim that they have been very much inspired... to start their own company.\" Saverin echoed these sentiments, stating that the film may inspire \"countless others to create and take that leap to start a new business.\" In one such instance, the co-founders of Wall Street Magnate confirmed that they were inspired to create the fantasy trading community after watching The Social Network.
Following the close of the decade, The Social Network was recognized as one of the best films of the 2010s. Metacritic reported that it was listed on over 30 film critics' top-ten lists for the 2010s, including eight first-place rankings and four second-place rankings. Metacritic ranked The Social Network third overall, following Mad Max: Fury Road and Moonlight. Esquire named The Social Network the best of the 2010s, calling it Citizen Kane \"for the Internet age\" and dubbing it \"the movie of our new millennium\". With Facebook going \"from a utopian, world-shrinking force of good to a potential threat to democracy\", Esquire wrote, \"Fincher seemed to sense all of this and more long before anyone else. And his brilliant, troubling film bristles with that queasy sense of prophecy and prescience.\" Polygon, calling The Social Network the best film of the decade, wrote, \"The Social Network, by chance or by design, has become one of the most immensely relevant movies of this decade... But after nearly a decade of watching Facebook 'move fast and break things,' including news websites, social video, politics, etc., the movie's tangible sense of tension can easily be reinterpreted as foreboding for what comes after you make a billion friends.\" Director Quentin Tarantino called the film the best of the 2010s, singling out the script by Aaron Sorkin, whom he described as \"the greatest active dialogist\".
It is interesting that social and cultural consequences are seldom mentioned in the reports on these studies. When these aspects are considered, they are often related to studies about elderly people without children, regardless of the reason for being childless. It is stressed in the reports of these studies that frail old people without children have less social support (cf., Johnson, 2006) and a less robust network for independent living compared to old people with children (cf., Wenger et al., 2009). Wirtberg and co-workers (2007) however, carried out a study that is unique in the sense that it aims at elderly involuntarily childless women. They reported on 14 women, and described that in all cases but one sexual life was affected negatively and that half of these elderly childless women were separated.
In his sophomore year at Harvard, computer-science genius Mark Zuckerberg (Jesse Eisenberg) and his best friend, Eduardo Saverin (Andrew Garfield), create a site ranking their female classmates' hotness. It gets the attention of rich, entrepreneurial seniors Tyler and Cameron Winklevoss (both played by Armie Hammer) and their business partner, who hire Zuckerberg to create a social networking site for Harvard students. But instead of working on the Harvard-only site, Zuckerberg asks Saverin to front him the start-up costs to launch what they call \"thefacebook,\" which starts at Harvard but eventually spreads to other elite universities across the country. After the site hits Stanford, Zuckerberg and Saverin meet Napster co-founder Sean Parker (Justin Timberlake), who ingratiates himself into the founders' circle, usurps Saverin, and helps Zuckerberg get the funds to transform \"thefacebook\" into Facebook. In the process, Zuckerberg faces lawsuits from his Harvard rivals and his former best friend.
There was a lot of pre-release hype for THE SOCIAL NETWORK -- and for once, the buzz is well-deserved. This is truly an enthralling film; all of the pieces -- writing, plot, direction, acting, soundtrack -- create a memorable, timely movie that couldn't be more relevant to the current zeitgeist. If a story about a business' Ivy League founders or Harvard social intrigue or young billionaires in the making doesn't sound compelling, this movie will surprise you. And the credit must go to director David Fincher and writer Aaron Sorkin, who've taken what sounds like a very boring premise -- boy genius possibly steals an idea to create one of the dominating media forces of the decade -- and turned it into an award-worthy film that even Facebook objectors will enjoy.
Eisenberg plays Zuckerberg as a socially awkward computer genius who isn't an adorable geek (like many of Eisenberg's previous roles). He's a huge jerk -- or, as his date tells him in the first scene, a first-class \"a--hole\" -- obsessed with status and, later, getting back at said date for rejecting him. How many multibillion dollar ideas started out as a way to show up someone who rejected the innovator And how many business are built on the backs of broken friendships As Saverin, British import Garfield is pitch perfect. He exudes the confidence that comes with wealthy, but unlike Zuckerberg or the Winklevoss twins, he's not condescending. In many ways, he's the heart of the movie, because his character is so much more likable than Zuckerberg -- so much so that you want him to win his lawsuit against Facebook. The movie's biggest scene-stealers are Timberlake -- who's all slimy and paranoid charm as Parker -- and the Winklevoss brothers, who are played by Hammer so well that you'd swear it was twin actors. Each twin is patrician perfection personified, and the fact that their social networking idea is the seed that Zuckerberg turns into Facebook serves as a slap in the face to their entitlement. What's true and what isn't doesn't quite matter for the purposes of this film; in the end Facebook's \"status\" is bigger than all its players. 153554b96e